- Liu Xiao Ling
- by Keoni Everington, December 10, 1999
Liu Xiaoling
was born in Wan Ping County, He Bei Province in 1950. As a child, he had
an ardent love for Wushu. In the beginning of the 1960's he was apprenticed
to a well-known teacher of Shaolin wushu, Mr. Xiang Bao Jin, who was the
disciple of a famous wushu and Shaolin teacher, Liuhe Fanzi. This laid
a solid foundation for his later wushu career.
In
the early 1970's, Mr. Liu became a follower of a famous internal
arts grandmaster, Pei Xirong, with whom he studied Xing Yi, Ba Gua, Tai
Ji Quan, Wudang Qi Gong, and wushu. He was also taught by Baodong Gao,
a famous master of Shanxi Xing Yi. In the 1980's, he studied Liuhebafa
with Master Daoli Li and Qi Zhong Liang.
From 1978
to 1983, Mr. Liu competed in traditional Wushu contests in Shanghai
and won medals every year he participated. In 1982, as part of the Shanghai
Wushu team, Mr. Liu went to Xian to take part in the national traditional
Wushu competition. He won the gold medal for his Thirteen Xing Yi spear
performance. In 1993, he medaled in the First International Fellowship
of Ba Gua.
Mr. Liu
is recognized for his mastery of Fanzi, Baxian sword, Liuhe spear,
Wu Hou sword, Tai Ji Quan, Xing Yi, Ba Gua, Liuhebafa, Miao Sword, Wudang
Qigong, Chin Na, and Tongbei big spear. In the late 1970's, he focused
on all styles of Qi Gong with particular emphasis on Wudang Qi Gong. In
1983, he became the coach for the Wushu Association of Fudan University.
After a yearlong tenure at Fudan, he went to Hainan
province where he became the director of the Chinese Wushu Training Center
of Hai Kou City. He was the first person to teach Ba Gua Zhang in Hainan
Province. Mr. Liu now lives in Shanghai and has many students who come
from all over the world to study with him.
In 1997,
he was listed in the Directory of Famous Chinese Folk Martial Arts Masters.
In 1999, he was listed in the Directory of Chinese Contemporary Wushu
Masters and in the Directory of World Talent. Also in 1999, Mr. Liu reached
the level of 6th Dan Wushu. He is a member of the Shanghai Scientific
Research Institute of Qi Gong and the Chinese Hua Yue Xin Yi Liu He Research
Institute. He is also a member of the Chinese Traditional Medical Massage
Association of Shanghai. In addition, he is a member of the Shanghai Wushu
Association, Vice Chairman of the Shanghai Dong Hai Chuan Ba Gua Zhang
Institute, and Vice Chairman of the China Cangzhou Tongbei Pi Gua Quan
Association.
Mr. Liu
has been involved in Chinese Wushu for several decades. He has
studied Wushu theory and practice, and he has constantly striven to further
develop this discipline. He has reached a high level of both internal
and external Gong Fu. He is one of the most highly esteemed Wushu masters
in China.
Interview with Liu Xiaoling
Keoni: Mr. Liu, with whom have you studied
Baguazhang?
Liu Xiaoling: I studied with Pei Xirong
here in Shanghai, who was originally from Raoyang county in Hebei province.
Pei Xirong had studied with Yin Fu and Cheng Ting Hua’s sons, Yin Yu Zhang
and Cheng You Xin, respectively. This makes me a 5th generation disciple
of Dong Hai Chuan and my name is inscribed under the Chinese character
for the Bagua symbol Ken on his tomb.
Keoni: Did you ever get a chance to meet
the famous Li Ziming?
Liu Xiaoling: I knew Li Ziming very well.
In fact, whenever he came to Shanghai, he would stay at my place. On one
occasion, Li came here to serve as a martial arts choreographer for a
movie called Chui Lian Ting Zheng. Two of his disciples that I know quite
well are Wang Tong and Di Guo Yong. One of the most famous foreign students
of Li Ziming of course is Zuoteng Jinbinwei who was a venerated master
in his native Japan.
Keoni: Can you tell me a little about your
Baguazhang repertoire?
Liu Xiaoling: In addition to Liang Zhen
Pu’s circular style, I am also familiar with Baxing Bagua or Eight Element
Bagua, Longxing Yongshen or Swimming Dragon, and the 64 Straight Line
(linear unlike Liang Zhen Pu’s style), not to mention the whole range
of Bagua weapons including unusual weapons such as the Sun and Moon Wheel
and the Tiger Tail Whip.
Keoni: What is the state of affairs today
with Bagua in Shanghai like?
Liu Xiaoling: Shanghai is a very deceptive
because as we say in Chinese it is, “Canglong Wohu”, which literally translates
to hidden dragon crouching tiger. It basically means that there are a
number of great martial artists in this city but they keep a very low
profile and at first glance appear to be ordinary people with no special
talents. Only when the need arises do they bring their martial arts prowess
to bear. Shanghai’s status as China’s commerce center belies the fact
that it is also one of the main centers of Bagua practice in China and
there are actually thousands of people who practice the art in the city.
Thanks to influence of masters such as my teacher Pei Xirong and others
from Beijing, Shanghai Bagua is very close to Beijing Bagua in most respects.
Many Bagua practitioners in Shanghai can be found in Hong Kou Park from
6 to am. This group consists in large part of martial arts descendants
of the late Zhang Rong Qiao. Our group in turn, carries on the tradition
of Master Pei Xirong and meets in The People’s Park from 6 to am. Unfortunately,
in Shanghai and China in general, Gong Fu was much better in the old days
in that although there is a wider variety of techniques practiced now,
the effectiveness and power in the old days was far superior. Take sparring
for example. Before 1949 sparring was real fighting using full force and
basic techniques. Today there are more flowery techniques but less force
and there is more concern about protecting oneself from injury.
Keoni: How did the Cultural Revolution affect
Bagua in Shanghai?
Liu Xiaoling: During the Cultural Revolution
Bagua like all other traditional martial arts in China suffered what we
refer to as The Severed Period. Bagua was banned and thus the art could
only be practiced in secret by a few brave souls. Despite the danger and
hardships, I continued to practice during this time. Unfortunately, with
the passing of my master and Hong Kou district’s Master Zhang Rong Qiao
the old generation is gone now from Shanghai with little opportunity to
pass on knowledge to younger generations. This is due in large part to
the fact that The Severed Period kept these masters from passing their
knowledge to younger generations at a time when they would have been in
their teaching prime.
Keoni: What is the current governing body
for Bagua in Shanghai?
Liu Xiaoling: The overarching organization
is the Shanghai Municipal Physical Culture Committee, below that is the
Shanghai Wushu College, and below that are a wide variety of organizations
for specific martial arts styles including our organization; The Shanghai
Dong Hai Chuan Baguazhang Research Institute of which I am Vice chairman
along with two of my classmates. There are over 300 members of our Baguazhang
institute in Shanghai and was officially founded last year. Due to current
problems with Falungong, which is completely unrelated to our art or organization,
our institute is temporarily inactive and all public activities are prohibited
by the government.
Keoni: Do you know of any Bagua stylists
in the U.S. or San Francisco Bay Area?
Liu Xiaoling: Yes, there is a well known
Taiwanese master in Cupertino, California named Xu Ji who is a disciple
of the famous Taiwanese master Liu Yun Jiao. Liu Yun Jiao was Gong Bao
Tian’s student who was one of the few students of Yin Fu. In addition,
there is a Bagua stylist in Los Angeles named Jiang Zhichen. I have an
American student in Silver Spring, Maryland named Paul Ramos who studied
Xing Yi and Bagua under with me for a few years. I also have students
in Washington D.C. and British Columbia.
Keoni: Thank you very much for your cooperation,
is it true that you are going to Maryland soon?
Liu Xiaoling: Yes, I will be going to Maryland
in December of this year and will be permanently immigrating to the U.S.
Although Liu Xiaoling will soon be immigrating to the US, there are still
a few direct disciples of Pei Xirong that will continue to teach in the
People’s Park in Shanghai. Tuition is $10 per hour for foreigners but
is for free for those that become direct disciples (Tudi). Class is held
every day from 6am to 9am and runs later on Sundays at Hong Kou Park until
7am.
|